divisare

Atlas of Architecture

Elements
- Arches Balconies Bearing Walls Bookcases Bricks Facades Canopies Ceilings Ceramic Floors Chairs & Sofas Columns Concrete Structures Courtyards Curtains Curved Roofs Daylighting Design Objects Doors Engawa Entrances External Pavings Facade Cladding Systems Fireplaces Fountains & Reflecting Pools Furniture Gates
  Glass Facades Glass Partitions Glass Roofs Green Roofs Handles Hanging Walkways Indoor Stairs Interior Lighting Lamps Massive Walls Metal Claddings Outdoor Stairs Patios Points of View Porches Private Indoor Stairs Private Pools Public Indoor Stairs Railings Ramps Roof Gardens Shop Windows Skins Skybridges Slat Facades
  Sliding Elements Sloping Roofs Solar Shading Systems Spiral Stairs Steel Structures Stone Facades Stone Floors Stone Walls Tables Terraces Terracotta Facades Urban Furniture Vaults Vertical Gardens Window Frames Windows Wooden Facades Wooden Floors Wooden Partitions Wooden Structures
Cities
- Aarhus Abu Dhabi Ahmedabad Alicante Amsterdam Antwerp Athens Bangkok Barcelona Basel Beijing Beirut Berlin Bilbao Bologna Bordeaux Brasília Brussels Budapest Buenos Aires Chandigarh Chengdu Chicago Ciudad de México Coimbra
  Copenhagen Córdoba Doha Dresden Dubai Dublin Florence Frankfurt Geneva Ghent Göteborg Granada Hamburg Hangzhou Havana Helsinki Hong Kong - Shenzhen Istanbul Jerusalem Krakow Kyoto Lausanne Lisboa London Los Angeles
  Lyon Madrid Málaga Malmö Marseille Melbourne Miami Milano Montreal Moscow Munich Nantes Napoli New York City Osaka Oslo Paris Porto Prague Reykjavik Rio de Janeiro Roma Rotterdam San Francisco Santiago de Chile
  São Paulo Seattle Seoul Seville Shanghai Singapore Stockholm Stuttgart Sydney Tarragona Tbilisi Tehran Tel Aviv Tokyo Toronto Turin Valencia Venezia Vienna Warsaw Washington Yokohama Zaragoza Zürich
Houses
- African Houses American Houses Argentinian Houses Australian Houses Austrian Houses Balkan Houses Baltic Houses Beach Houses Belgian Houses Brazilian Houses British Houses Canadian Houses Chilean Houses Chinese Houses Concrete Houses Country Houses Croatian Houses Czech Houses Danish Houses Dollhouses
  Dutch Houses East-European Houses French Houses German Houses Greek Houses Holiday Houses Houses by Artists Houses for Architects Hungarian Houses Icelandic Houses Indian Houses Irish Houses Israeli Houses Italian Houses Italian Rural Houses Japanese Non-Urban Houses Japanese Urban Houses Korean Houses Latin-American Houses Mediterranean Houses
  Mexican Houses Microhouses Middle-east Houses Mountain Houses Narrow Urban Houses New Zealand Houses Paraguayan Houses Peruvian Houses Pet Houses Polish Houses Portuguese Houses Restored Houses Romanian Houses Scandinavian Houses Single-family Houses South-East Asian Houses Spanish Houses Swiss Houses Tree Houses Turkish Houses
  Uruguayan Houses Villas Windowless Houses Wooden Houses Woodland Houses
Ideas
- Alberto Campo Baeza. Varia Architectonica Alfredo Pirri. Make and Remake Álvaro Siza. Time is the Best Architect Beniamino Servino. Monumental Need Bolles + Wilson. Tacuit et fecit Curves Dario Passi. Architecture Drawings Explosions Fascinations for Structures Giorgio Grassi Drawings Grammar of the Limit Ideas for Bridges Ideas for Burial Ideas for Civic Buildings Ideas for Coastal Redevelopment Ideas for Conservation and Reuse Ideas for Cultural Centers Ideas for Domestic Interiors Ideas for Health Facilities Ideas for Hospitality
  Ideas for Houses Ideas for Housing Blocks Ideas for Industrial Facilities Ideas for Installations and Exhibitions Ideas for Interiors of Libraries Ideas for Kindergartens Ideas for Landmarks Ideas for Landscape Design Ideas for Libraries Ideas for Memorials Ideas for Micro Architecture Ideas for Mixed-Use & Business Districts Ideas for Mountain Huts Ideas for Museums Ideas for Office Blocks Ideas for Performing Arts Buildings Ideas for Performing Arts Spaces Ideas for Public Interiors Ideas for Public Parks Ideas for Religious Buildings
  Ideas for Sacred Spaces Ideas for Schools Ideas for Spaces for Art Ideas for Sport Venues Ideas for Stadiums Ideas for Stairs Ideas for Streets & Squares Ideas for Town Halls Ideas for Transportation Facilities Ideas for Universities Ideas for Urban Planning Il Cerchio - Homage to Bruno Munari Il Quadrato - Homage to Bruno Munari Il Triangolo - Homage to Bruno Munari Imaginary Landscapes Insistence of Nature Isometric. Oblique Drawing Luca Galofaro. Atlas of Notes Montages Orthogonal
  Radical Resistance Reality and Fantasy Renato Rizzi. Anger of Form Scrapbook Steven Holl. Working with Doubts Topographies Topology of Neighborhoods Urban Visions
Materiality
- Bamboo Black Blue Bricks Cardboard Carpets Coloured Concrete Colours Concrete Cor-ten
  Cyan Diaphanous and Translucent Exploring Patterns Fabric Glass God is in the Details Gold Green Grey Ice
  Marble Membranes Metals Orange Perforated Pink Plaster Polycarbonate Purple Red
  Stone Terracotta The Importance of Being Material Tiles Timber Wallpapers White Yellow
Plans & Details
- Details of Facades Details of Frames Details of Interiors Details of Outdoor Spaces Details of Roofs Details of Stairs Details of Structures Plans of Apartment Blocks Plans of Apartments Plans of Bars and Restaurants
  Plans of Civic Buildings Plans of Cultural Centers Plans of Health Facilities Plans of Hotels Plans of Kindergartens Plans of Libraries Plans of Museums Plans of Office Blocks Plans of Offices Plans of Performing Arts Centers
  Plans of Public Spaces Plans of Religious Buildings Plans of Schools Plans of Single-family Houses Plans of Sport Facilities Plans of Transportation Facilities Sections
Private Interiors
- Apartment Renovations Australian Interiors Austrian Interiors Austrian Interiors - Vienna Bathrooms Bedrooms Belgian Interiors Brazilian Interiors Brick Interiors British Interiors British Interiors - London Chinese Interiors Chinese Interiors - Beijing Concrete Interiors Dining Rooms Duplex Dutch Interiors Dutch Interiors - Amsterdam East European Interiors French Interiors French Interiors - Paris German Interiors German Interiors - Berlin Greek Interiors Home Offices
  Indian Interiors Interiors Irish Interiors - Dublin Italian Interiors Italian Interiors - Apulia Italian Interiors - Campania Italian Interiors - Emilia-Romagna Italian Interiors - Friuli Venezia Giulia Italian Interiors - Lazio Italian Interiors - Liguria Italian Interiors - Lombardy Italian Interiors - Marche Italian Interiors - Milan Italian Interiors - Piedmont Italian Interiors - Rome Italian Interiors - Sardinia Italian Interiors - Sicily Italian Interiors - Trentino Alto Adige Italian Interiors - Turin Italian Interiors - Tuscany Italian Interiors - Umbria Italian Interiors - Veneto Italian Kitchens Japanese Interiors Japanese Interiors - Tokyo
  Japanese Kitchens Kitchens Latin-American Interiors Living Rooms Lofts and Penthouses Machine à Habiter Middle-East Interiors Middle-East Interiors - Tel Aviv Mountains Interiors North-American Interiors North-American Interiors - New York Portuguese Interiors Portuguese Interiors - Lisbon Portuguese Interiors - Porto Reused for Living Saunas Scandinavian Interiors Spanish Interiors Spanish Interiors - Barcelona Spanish Interiors - Madrid Spanish Interiors - Valencia Stone Interiors Swiss Interiors Tropical Interiors Un-private Interiors
  Vernacular Interiors Wooden Interiors
Public Interiors
- Archives Art Galleries Art Studios and Workshops Atriums Auditoriums Beauty Salons Canteens Classrooms Clinics Clubs & Discos Coffee Shops Coloured Interiors
  Corridors Co-working Day Centres Delis & Fast food Entrance Halls Gyms Interior Voids Italian Bars Libraries Lobbies Offices and Studios Offices of Architecture
  Post-industrial Interiors Receptions Reused for Culture Reused for Hospitality Reused for Learning Reused for Recreation and Training Reused for Working & Trading Sacred Spaces Showrooms and Shops Space for Art Toilets Wellness Facilities and Spas
Topics
- Additions Architects' Notebooks Architectural Drawings Architectural Models Architecture and Water Architecture Goes Wild Art and Architecture Bell'Italia Below Ground Zero Beyond Minimal Brutalism Building High Building in Between Building in Landscape Building in Urban Context Building Together By Night Cantilevers: Dialogues with Gravity Concrete Expressions Containers Critical Conservation & Transformative Reuse Dialogues with History Don't get Lost Enfilades Ephemeral
  Existenzminimum Extra Small Folding Architecture Forgotten & interrupted Going Places Handmade Inflated Architecture Inside Modernism Into the Wild Is Ornament a Crime?Italian Beach Houses Italian Drawings Italian Modern Heritage Italian Restorations La Biennale di Venezia Labyrinths La Piazza Italiana Less is More, More or Less Light & Shadows Lite Made in Italy Metropolis Milano Design Week Modern Heritage Mountains Architecture
  Nervi Factor Old Masters Pets Piranesi Factor Playgrounds Portraits Post-industrial Architecture Public Sitting Redundancy Reflections Reportages Repurposed Recycled Reused Restored and Reused Rural Modernity Schools of Architecture Seashore Architecture Sequences Silos Social Subtraction Temporary Gardens The Fifth Facade The Informal City Turning from Brown to Green Typography & Architecture
  Un Certain Regard Urban Corners Urban Facades Urban Graffiti Vernacular Volumes! Walking and Cycling WIP - Work in Progress
Types
- Administrative Centers Airports Apartment Blocks Archaeological Parks Arenas Bars Beach Facilities Bike Stations Boathouses and Marinas Bus Stops Camping Car Parks Catwalks Chapels Churches Cinemas City and Town Halls Civic Centers Colleges and Universities Concert Halls Convention Centers Convents, Monastries, Parishes Courthouses Covered Squares Cultural Centers Deck Access Blocks Exhibit Design Exhibition and Fair Centers
  Expo Pavilions Fair Stands Fire & Police Stations Footbridges Funerary Funerary Chapels Garages, Depots and Warehouses Garden Studios Gas Stations, Rest Areas and Toll Gates Green and Scenic Walkways Greenhouses Headquarters Hospitals & Health Centers Hostels and Guesthouses Hotels Industrial Buildings Installations Italian Churches Kindergartens and Pre-schools Landscape Design Libraries and Mediatheques Maritime Facilities Memorials Metro Stations Mosques Mountain Huts Museums Music Schools and Art Academies
  Nursing Homes Office Blocks Outdoor Performing Arts Venues Outdoor Sports Fields Pavilions Power Plants Primary Schools Prisons & Detention Centres Private Gardens Public and Social Housing Research Centers Residential Complexes Restaurants Retail Markets Row Houses Scenographies Secondary Schools Shopping Centers Skateparks Small Apartment Blocks Small Urban Gardens Sport & Country Clubs Sport Halls Squares & Streets Stadiums Student Houses Swimming Pools Synagogues
  Tea Houses Temples Temporary & Co-Housing Theaters Tourist Routes Tower Blocks and Skyscrapers Traffic Bridges Training Centers Train Stations Transportation Hubs Urban Parks Visitor Centers Waterfronts and Coastal Redevelopments Wineries and Distilleries Zoos and Animal Shelters
Why Atlas?
- WHY ATLAS?
  
  May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."
  
  Content that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.
  
  So we began to build divisare not vertically, but horizontally.
  
  Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions. No "click me," "tweet me, "share me,” "like me." No advertising. banners, pop—ups or other distracting noise.
  
  It is a different idea of the web, which we might call slow web.
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  Utrecht Valladolid Vancouver Venezia Victoria Vienna Warsaw Washington Zagreb Zaragoza Zurich
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  ABOUT “TALKS” Architecture is also made of words. Coordinated by Valerio Paolo Mosco, the series Talks acts precisely as an open forum for the words of architects, without any preset themes or limitations. We are condemned to adapt to a state of affairs: to fill the gaps that are inevitably created with words. This is what it means to be modern: being postmodern means even more. After all, without a convention, at the mercy of (real or imagined) freedom, we find ourselves having to operate in terms of a constant investigation of our operating, which is inevitably translated into words. It is as if architects themselves (but even more so, artists) were forced to shore up the elements and themes of their work with theoretical props. Upon closer inspection – and this should be particularly thought-provoking – these props as a whole simply set limits for operation. No poetics can exist without limits, without an enclosure in which it can be restrained. One might object to this by saying that almost 100 years ago, in the period of splendor of the avant-gardes, the dominant ideology was precisely that of having no limits. But many years have passed, and the lack of limits has translated not only into repetitive confusion (Leo Longanesi said: “nothing is more repetitive than the avant-gardes”), but also into formal posturing at the service of the most indulgent sort of consumption. Therefore writing, or the setting of reasoned limits on one’s own endeavor, has become an increasingly necessary action, almost a form of resistance to that formal entropy that for years now has run the risk of sucking architecture into the realm of forgettable things. We have decided to package the words of the architects invited to take part in Talks in slipcases, each containing five contributions, providing an opportunity for comparison among the various authors. We like to think that this confrontation can resemble a symposium in which – as in the work by Plato – each speaker can present his own interpretation: for Plato the theme was love, while for Divisare – somewhat more subduedly – it is architecture.
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  ABOUT “TALKS” Architecture is also made of words. Coordinated by Valerio Paolo Mosco, the series Talks acts precisely as an open forum for the words of architects, without any preset themes or limitations. We are condemned to adapt to a state of affairs: to fill the gaps that are inevitably created with words. This is what it means to be modern: being postmodern means even more. After all, without a convention, at the mercy of (real or imagined) freedom, we find ourselves having to operate in terms of a constant investigation of our operating, which is inevitably translated into words. It is as if architects themselves (but even more so, artists) were forced to shore up the elements and themes of their work with theoretical props. Upon closer inspection – and this should be particularly thought-provoking – these props as a whole simply set limits for operation. No poetics can exist without limits, without an enclosure in which it can be restrained. One might object to this by saying that almost 100 years ago, in the period of splendor of the avant-gardes, the dominant ideology was precisely that of having no limits. But many years have passed, and the lack of limits has translated not only into repetitive confusion (Leo Longanesi said: “nothing is more repetitive than the avant-gardes”), but also into formal posturing at the service of the most indulgent sort of consumption. Therefore writing, or the setting of reasoned limits on one’s own endeavor, has become an increasingly necessary action, almost a form of resistance to that formal entropy that for years now has run the risk of sucking architecture into the realm of forgettable things. We have decided to package the words of the architects invited to take part in Talks in slipcases, each containing five contributions, providing an opportunity for comparison among the various authors. We like to think that this confrontation can resemble a symposium in which – as in the work by Plato – each speaker can present his own interpretation: for Plato the theme was love, while for Divisare – somewhat more subduedly – it is architecture.
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DIVISARE BOOKS is a high-quality, independent editorial project, a modular publication dedicated to architecture documents each tackling a different topic: drawings collections, photographic surveys, visual essays, short writings and architectural projects.

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DIVISARE is a truly independent and ad-free publisher of contemporary architecture. We love discovering and sharing great architecture and great architectural photography.

Instead of the fast, distracting web, we prefer a slow, careful one.
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